Spectacle Survey

What motivates makers and viewers to participate in performance pieces?  How can subjective data and nonverbal knowledge/understanding be collected and analyzed via performance?

PURPOSE OF THIS SURVEY

To gather information about the way contemporary “experimental” performance makers and audiences relate to “spectacle.” The information gathered will serve as a foundation for further hypothesizing and experimentation with spectacle as a form and function of contemporary experimental performance. Core questions:

How does spectacle function for individuals vs masses?
What physiologically happens to us when participating in the spectacular? (Defining “body tuning”)
How or why does spectacle create the “body tuning” that makes us susceptible to learning?
How is cultural production implicated in social engineering via spectacles of varying scale?

It is my aim as a researcher to simultaneously explore what we consider valid or objective data. I am seeking ways of expanding our conception of usable data beyond the quantitive and linguistic. I am curious about what other modes of symbolic representation and interpretation may be made available. My aim in this pursuit is to develop a deeper understanding of alternate modes of communication which ineffably distinguish experience in order to explore the depth of power structures (constructions) surrounding cultural conceptions of “real knowledge” or “information.”

This session is the first in a series of opening explorations into areas of study and experimentation within performance I plan to develop further in 2015. These initial sessions will be held once a month until the end of 2014 with the following areas of focus: September – Spectacle, October – Narrative, November – Audience, December – Experiment. I welcome proposals for experiments to conduct or modes of collecting data in these sessions and am concurrently seeking interested parties to develop further experiments and research in the coming year.

This project currently has no aim to create a public performance, but ideas generated and developed through this research will be made public throughout the process on web platforms and through other indeterminate media. Any level of participation is greatly appreciated. Thank you.

SURVEY

This survey was introduced during the PRS SEPTEMBER SESSION : SPECTACLE Saturday, September 20, 2014 from 6p-10p at the Great Room at South Oxford Space through the generosity of the TMT Institute Space Grant.

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